Street-Fodder

Arf?!?

Tue, 23 Apr 2013 22:40:11 -0400

Arf?!?

hyperallergic: Derek Stefanuk, “Epiphany” (2013) oil on...

Tue, 23 Apr 2013 22:37:38 -0400

hyperallergic:

Derek Stefanuk, “Epiphany” (2013)

oil on canvas

60” x 60”

http://www.derekstefanuk.ca/Home.html

Photo

Tue, 23 Apr 2013 22:35:44 -0400

Photo

Tue, 23 Apr 2013 22:35:35 -0400

hyperallergic: Zach Collins, “06zc13” (2013), cut and paste...

Tue, 23 Apr 2013 22:34:58 -0400

hyperallergic:

Zach Collins, “06zc13” (2013), cut and paste collage

hyperallergic: Victoria Statsenko, “War Pioneer” (2013)

Tue, 23 Apr 2013 22:34:42 -0400

hyperallergic:

Victoria Statsenko, “War Pioneer” (2013)

hyperallergic: Charlie Godet Thomas, “At Best the Poet Can...

Tue, 23 Apr 2013 22:34:33 -0400

hyperallergic:

Charlie Godet Thomas, “At Best the Poet Can Prepare Traps” (2013), broken beer bottles, wood, paint

emilybjones: Art I love: How to Disappear Completely by Brian...

Sun, 14 Apr 2013 23:18:37 -0400

emilybjones:

Art I love: How to Disappear Completely by Brian Adam Douglas

Thanks!

nevver: John Currin Always loved these earlier John Currin...

Sun, 14 Apr 2013 10:10:59 -0400

John Currin

John Currin

John Currin

nevver:

John Currin

Always loved these earlier John Currin paintings.

tmrbass: Hugo Gernsback - Television GlassesLife Magazine.

Sun, 14 Apr 2013 10:07:41 -0400

tmrbass:

Hugo Gernsback - Television Glasses

Life Magazine.

hragv: Rembrandt watching TV in the 1950s (Taken with GifBoom)

Sun, 14 Apr 2013 10:07:09 -0400

hragv:

Rembrandt watching TV in the 1950s (Taken with GifBoom)

hyperallergic: Photos from Wednesday Night’s After Hours in...

Fri, 12 Apr 2013 16:36:38 -0400

hyperallergic:

Photos from Wednesday Night’s After Hours in Times Square with Marco Brambilla

A view of Marco Brambilla’s “Materialization/De-materialization” (2013) projected on the Grace…

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For the sake of clarification, this pic was taken from Luna...

Fri, 12 Apr 2013 16:35:00 -0400

For the sake of clarification, this pic was taken from Luna Park’s Flickr stream.

And the image peeling up is this one, again shot by Luna Park.

Thanks to Sam Horine for finding this crazily noted post!

hyperallergic: Donation Promises to Transform Metropolitan...

Wed, 10 Apr 2013 00:39:16 -0400

hyperallergic:

Donation Promises to Transform Metropolitan Museum into Major Cubist Art Center
Pablo Picasso, “Femme assise dans un fauteuil (Eva) (Woman in an Armchair)” (1913), oil on canvas,…
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laurgold: I’m looking forward to Thursday’s auction of Fine...

Wed, 10 Apr 2013 00:39:05 -0400

laurgold:

I’m looking forward to Thursday’s auction of Fine Books at Swann (April 11th). This is definitely one of the most exciting lots I’ve seen since working at Swann - 3 volumes of Audobon books, estimated at $250-300,000!

Other notable lots include a single leaf from a 15th c. Latin bible, estimated at $40-50K, 4 Volumes by Charles Darwin ($20-30K), & Boccaccio writings from 1472 ($25-35K).

I am looking forward to seeing how the sale goes!

Click here to see the full online 3D catalogue.

Sale 2309 Lot 73

AUDUBON, JOHN JAMES; and BACHMAN, JOHN. The Viviparous Quadrupeds of North America.Lithographed titles; letterpress plate lists; 150 hand-colored lithographed plates. Elephant folio, 679x542 mm, contemporary 1/2 calf, covers spotted and sunned, spine ends chipped, cover corners worn through, Volume 2 covers detached, Volume 1 rear and Volume 3 front free endpapers chipped and loose. New York, 1845-48
Estimate $250,000-350,000

first edition in book form of Audubon’s second monumental and enduringly popular work of natural history illustration, “the largest successful color plate book project of 19th-century America” (Reese). Nissen ZBI 162; Reese 36.
Titles and plate lists foxed and creased; varying foxing on plate guards; faint marginal foxing on around a quarter of the plates, small stain through outer margin of plates 12-14, minor marginal streaks or smudges on plates 22, 55, 63, 73, 79, 80, 114 and 135, small but noticeable marginal spot or spots on plates 11, 67, 76, 111, 121, 123, 125, 133, 141, and 150, plate 78 lightly toned and spotted, stripe on back of large-tailed skunk (plate 102) crudely painted.

The Last Jackalope and Other Fables Of The...

Tue, 09 Apr 2013 21:59:27 -0400

The Last Jackalope and Other Fables Of The Reconstruction 2013

cut paper on birch panel with UVA varnish

20 5/8 x 30 inches (52.4 x 76.2 cm)

My gallery Andrew Edlin will be participating in the Dallas Art Fair this week. If you are in town, I would highly recommend that you get by and see my as well as all the other artists art.
I should have several pieces in their space, including the image above.

Referents, 2013

Tue, 26 Mar 2013 14:23:09 -0400

Referents, 2013

likeafieldmouse: Dmitri Obergfell - Infinite Ladder (2012)

Tue, 19 Mar 2013 21:54:52 -0400

likeafieldmouse:

Dmitri Obergfell - Infinite Ladder (2012)

cmonstah: imaphotoeditor: “The crushing force of time is...

Tue, 19 Mar 2013 21:53:51 -0400

cmonstah:

imaphotoeditor:

“The crushing force of time is before my eyes, and I myself try to keep pressing the shutter release of the camera. In this inevitable race between the two of us, I feel I am going to be burnt up.” – Daido Moriyama

Opening Next Week!

Daido Moriyama at Steven Kasher Gallery

521 West 23rd st. nyc

This looks like it’s gonna be all kinds of rad, NYC types. So get on it…

hyperallergic: Zach Collins, “7270” (2013) 5x7 inch cut and...

Tue, 19 Mar 2013 21:51:49 -0400

hyperallergic:

Zach Collins, “7270” (2013) 5x7 inch cut and paste collage